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90MM SCREW MOUNT LENSES


It is important to note that Leica lenses had their focal lengths specified in millimeters from 1925 to 1928, in centimeters from 1928 to 1970, and again in millimeters from 1971 onwards360.

9cm f/4 Elmar


The 9cm f/4 Elmar lens, code-named ELANG, was introduced in 1931360. This lens features a four-glass construction with a double rear element360. It was likely originally designed by Max Berek and later developed by Wilhelm Albert in 1931 and 1932360. The first project involved an uncoupled version, while the second focused on a coupled version360.

By 1964, the 9cm Elmar had exceeded an output of over 100,000 units in the screw-mount version alone, making it the second most produced lens, after the renowned 50mm (5cm) f/3.5 Elmar360. The bayonet-mount version also surpassed production figures of 50,000360. Its convenient focal length, f/4 maximum aperture, compact size, and relatively low price were the primary factors contributing to the 9cm Elmar's popularity as an accessory lens, and it continues to be highly valued by Leica enthusiasts360.

Throughout its long history, the screw-mount 9cm Elmar underwent several changes in the mount design, although only two modifications were made to its optical specifications360. Starting from lens number 592,451, the lenses were coated, and from number 116,050, the front element of the lens became flatter360. The last version of the screw-mount 9cm Elmar (variant no. 15, known as the 'parallel-sided' version) features only three elements instead of four360. This reduction was likely made possible due to the availability of new rare earth glasses360. The following list of the various variants of the 9cm Elmar may not be exhaustive360:


Variant 1

This variant is also known as 9cm f/6.3 Elmar360. The pyramid-shaped lens was introduced in 1930 in an uncoupled, unnumbered mount, and only a few experimental specimens were produced360. The design of this lens, along with its aperture, laid the foundation for the 10.5cm f/6.3 Elmar lens introduced in 1932360.


Variant 2

This variant, often referred to as the "fat Elmar"30, was introduced in 193110. This lens for originally intended to be used with the Leica I Model C and was initially uncoupled but was later adapted for use with rangefinder cameras. This variant is larger and heavier than subsequent models30. The lens weights 314 grams and has a length of 72mm30. Diameter of the focusing mount is 58 mm and the standard front diamater is 36mm, which is common in all later models up to E3930.

Additionally, the large base of the removable lens head, measuring 42 mm in diameter, restricts its compatibility with various accessories and adapters designed for later versions. The lens is finished in black enamel with a nickel distance scale ring and a nickel flange ring at the base30.

There are 4 types of Variant 2 ("fat Elmar"):

Type 1 comes with a rotating, uncoupled but standardized mount; with no depth- of-field scale and with 36mm filter mount360. This 'extra' fat 9cm f4 Elmar is recognizable by its diamond-knurled focusing ring360. The finish is black and nickel360.

Image is taken from page 219360.


Type 2 comes in a fat tube-type mount, yet it is slightly thinner than that of Type 1. This type comes with with line-knurled focusing mount and a depth-of-field scale. It is uncoupled and unnumbered, but standardized. The finish is black and nickel360.

Image is taken from page 219360.


Type 3 is the similar to Type 2 but it's coupled. The finish is black and nickel360.

Type 4 is the similar to Type 3 but it's coupled and numbered. The finish is black and nickel360.

Image is taken from page 219360.


Variant 3

This variant is a transitional between Variant 2 and Variant 4360. It features a redesigned lens mount which is now thin and tapered360. The lens is coupled, numbered, and finished in black and nickel. Only a few are known to exist360. A report from March 30, 1931 suggests that Wilhelm Albert was responsible for the development of this slim/thin (however uncoupled!) version in 1931364. The coupled slim version was developed in 1932 by Wilhelm Albert according to the report from March 7, 1932364.

Image is taken from page 221360.


Variant 4

This variant was introduced in late 1932 or early 193330. The earlier version of this variant had a black-nickel finish, code-named ELANGKUP, while the later version had a black chrome finish, code-named ELANGCHROM30.

The lens weighs 268 grams and has a length of 73 mm. The diameter of the focusing mount is 43 mm, and the base of the lens is 33 mm in diameter, allowing for the attachment of standard accessories and adapters for close-up work30.

The variant is very similar to Variant 3, except for the base is not tapered360. This variant set the pattern for all the variants which followed360.

This variant is coupled and numbered360.


Variant 5

This variant came in thin mount, was coupled and numbered, and finished in black and nickel360.


Variant 6

This variant is similar to Variant 5, but with depth-of-field scale incorporating an infra-red markings360. The variant came with a black and nickel finish360.

Image is taken from page 221360.


Variant 7

This variant is the same as Variant 6, but with a sloping front bezel360. The lens sometimes has white engravings360.

Introduced in late 1930s30, this lens was coated starting serial number 592451 from February 2, 194619. The distance scale ring features a matte chrome finish, but the base maintains a smooth chrome finish30.

In 1946, there was a slight variation in the finish, transitioning from the usual glossy black to a matte black. However, Leitz later resumed the glossy black finish until the introduction of the all-matte chrome version in 194930.

Uncoated lenses weigh 237 grams and are 73mm long30.

Coated lenses weigh 264 grams and are 73mm long30.


Variant 8

Variant 8 is a prototype of bayonet mount 9cm f/4 collapsible Elmar lens (ILNOO)360. The prototypes have screwmount mount and feature all-chrome finish360. A report from October 30, 1939, indicates that Wilhelm Albert developed a collapsible Elmar lens in 1939364. The author of this website believes that the report refers to Variant 8 of the lens.

Just before or after the Second World War, Leitz experimented with developing a collapsible mount for their 9cm f/4 Elmar lens99. These prototypes naturally led to the introduction of the 9cm f/4 bayonet mount lens (ILNOO), which was designed for use with the Leica M3 in 195599. In the factory museum in Wetzlar, there are two examples of the 9cm f/4 Collapsible Prototype lens, as shown in Figures 1 and 299 below.

The lens on the left is likely a postwar development, featuring f-stops ranging from 4 to 3299. It has a parallel-type focusing mount measured in meters and a notched front ring that allows the user to set the selected f-stop99. There is a report from June 19, 1945 confirming that Wilhelm Albert developed a 9cm f/4 Elmar lens with a retractable mount, grid and rear aperture reading with an ever-ready case364. The photographs the  author of this website saw made him believe that that the report refers to the lens pictured on the left.

The lens on the right in Figure 1 is probably of pre-war origin; it also has parallel focusing in meters but uses the older continental f-stop designations ranging from f/4 to f/3699. Its front configuration is quite similar to that of the late-style 5cm f/2 Summar99. Both lenses are uncoated and work well with the Leica rangefinder, focusing from 1 meter to infinity99.

Figure 2 presents a front view of the lenses99. Notably, neither lens has a serial number designation99. The postwar lens includes an infinity lock, similar to those found on the 35mm and 50mm lenses99.

                     

Both 2 examples of this prototype are in private collections360

Another copy of the extremely rare prototype Elmar in collapsible M39 screw-mount (serial number 633014) was sold at the 21st Leitz Photographica Auction in May of 2012 for 66000 Euros including buyer's premium. The lens came from Paul-Henry van Hasbroeck collection:



Paul-Henry Van Hasbroek believed that there was one specimen (no. 633,008) of a version in all-black finish (of which only ten were produced (nos 633,001-633,010)) which was interesting in that the aperture setting could be seen when one looked through the viewfinder360.


Variant 9

The lens was introduced by Ernst Leitz, New York, during World War II. It is also known as the “Leitz-Wollensak Coated 9cm f/4.5 Elmar”. The optical components and removable lens head were manufactured by Wollensak, while the barrel and focusing mount were produced by Ernst Leitz, New York30.

The lens weighs 283 grams and has a length of 76 mm. It features a glossy black finish combined with smooth chrome accents. The diaphragm scale, with settings at f/4.5, 5.6, 8, 11, 16, 22, and 32, is engraved on the actuating ring30.

It was similar both mechanically and optically to the 9cm f/4 Elmar (version 3). It offered the same performance, angle of view, and magnification, and was specially coated to enhance transmission while reducing flare and scatter358.

Ernst Leitz, New York also supplied an adapter ring, code-named "COONY", for using the lens head with their Adjustable Micrometer Extension Tube, code-named "COOMI", for close-up photography30.


Variant 10

Variant 10 is similar to Variant 7, apart from it's all-chrome finish360. One specimen, likely a prototype, is not fully chrome-finished; the area just above the focusing mount is made of nickel360. Its serial number (221043) dates the lens to 1933-34, which is at least two years before Leitz generally introduced chrome finishes360.


Variant 11

This variant was announced in summer of 194930. It has a matte chrome finish30. It continued all features of Variant 7 introduced in the late 1930s30. The lens weighs 284 grams30 and has a length of 72mm30.


Variant 12

This variant was announced in 1951. The f-stop scale is engraved in reverse order, allowing the diaphragm actuating ring to move counterclockwise from right to left when stopping down. Both the actuating ring and the front rim of the lens head are wider. This lens was the first of the 9cm lenses to feature a black leatherette covering on the base30. The variant is engraved in this black letters and figures360. The lens has all-chrome finish360.

Between 1948 and 1951, the 9cm f/4 Elmar lenses (code-named ELANG) lenses were supplied with a "sharkskin" motif. The "sharkskin" version of the ELANG is less commonly encountered. There is at least one chrome finish lens, serial numbered 756891, with sharksin from the 756001-760000 batch made in 195). Further investigation is needed regarding batches 696001-699000 (1949), 718001-721000 (1949), 807001-810000 (1950), 836001- 840000 (1950), and 872001-880000 (1951)259.

The variant eatured sharkskin trim featuring lenses are less common than those covered with pebble-grain material and are encountered only occasionally. The 9cm f/4 Elmar lens was available only in a chrome finish with sharkskin trim188.

Image is taken from page 221360.




Variant 13

This variant is similar to Variant 12, but comes with a wider bezel360.

The earliest reference to this lens was made in 1952 in the Leitz Photo List 8390a, XII/52/FY. The front rim measures 3.5 mm, and the diaphragm actuating ring is narrower. Additionally, the f-stop scale engravings are reversed, and there is a matte chrome ring surrounding the front lens element35.



Variant 14

This variant is lightweight360. This lens was announced in 1954. The lens head has been redesigned and is now supplied with a 42mm front diameter, allowing for the use of E39 filters and a larger cap30.

The f-stop scale is engraved on the diaphragm actuating ring, which rotates from right to left when stopping down. Additionally, the ring has been made wider to accommodate the engravings, and the lens head is now grooved to accept the IUFOO hood30.

The redesign of the lens head has increased the total length to 85mm. The lens is finished in matte chrome and features a base covered in black leatherette30

The lens is also available for bayonet mounts360



Variant 15

The lens was announced in 1964 and was catalogued until 1968. It features a complete redesign. The lens weighs 188 grams and is sometimes referred to as "the parallel 90."30. It is a three-element lens with E39 filter mount360 .

The f-stop scale is engraved on the diaphragm actuating ring, while the distance scale is indicated in both feet and meters. According to Leitz literature, "the use of recently developed optical glasses and a new triplet design make the 9cm Elmar better than ever."30

9cm f/2.2 Thambar 


The Leica 9cm f/2.2 Thambar lens was designed under the leadership of Max Berek63, developed in 1934 (sometime before May 30, 1934) by Wilhelm Albert 364 and manufactured by Leitz between the years 1935 and 193963. Its code name was "TOODY," and the list price in 1939 was 117.00 USD63. The exact number of units manufactured is uncertain; however, Leitz has stated in correspondence that "we manufactured approximately 3000 units of this lens"63.

The name of the Leica 9cm f/2.2 Thambar carries a unique charm, often associated with cherished possessions162. Although not definitively proven, it is commonly believed to originate from classical Greek and translates to "something that amazes."162 This lens is one of the many imaginative creations of Dr. Max Berek, devised to address critics who claimed that Leitz lenses were unsuitable for portrait photography due to their pronounced sharpness and high contrast162. The Leica 9cm f/2.2 Thambar was introduced to cater to the preferences of portrait artists of the 1930s228. This lens is considered one of the true cult lenses among Leica enthusiasts—it's legendary, provoking strong feelings of either love or hate315. This lens is highly sought after by many Leica collectors315.


Center Spot Front Filter / Spot Filter / Disc

Leica 9cm f/2.2 Thambar comes with a 48mm removable screw-in mirror disc, referred to as the "spot," "center spot front filter", "spot filter"162This spot filter is made of optically flat clear glass with a 0.5-inch diameter silvered center, prevents all central (axial) rays from entering the lens while allowing the peripheral rays to pass freely162. As a result, only the marginal rays at the edges, where spherical overcorrection is most pronounced, contribute to the image162. The aperture stop effectively controls these peripheral rays, producing the lens's characteristic luminous effect and halo162. The amount of spherical aberration of the lens is controlled by the spot filter and by the setting of the iris diaphragm62. The spot filter functions as a central stop rather than a true diffusion disc63.

The lens can be used wide open with or without the spot filter; however, it should not be used without the spot filter at apertures below f/2.2 down to f/6.363. Using the lens without the spot filter at these apertures can result in an irregular softness across the image field63. Consequently, the spot filter is a crucial component of the lens63.

With the spot filter, the degree of diffusion is controllable and influenced by various factors162. The diffusion is uniform across the entire negative, softening the definition and gradation at suggested apertures of f/2.2 to f/3.2162. A less pronounced soft effect can occur without the spot at aperture settings between f/3.2 and f/4.5162. The distance from the camera to the subject also significantly impacts the lens's soft-focus performance, and experience is the best guide for predicting outcomes162. A light-colored background is preferred because it enhances the spread of light from brighter to darker areas, leading to the desired luminous effect and softening the subject while retaining detail162.


Aperture and Aperture Scale Variations

Leica 9cm f/2.2 Thambar aperture scales came in 3 variations63. Earlier models typically featured a skeletonized scale positioned only once on the barrel63. In later versions, the scale was repeated in two locations around the barrel and included a more complete red scale63. A third version shows further modifications in the scale63. The distance scale on the barrel is marked in both feet and meters63. The most common variation of the Leica 9cm f/2.2 Thambar features a red scale with f-stops of 2.3, 2.5, 2.8, 3.5, and 4.5162. Leitz reportedly modified this red scale over time as users gained more experience with the Leica 9cm f/2.2 Thambar162

Achieving satisfactory results with this lens requires practice, as the soft focus effect serves as a tool rather than an end in itself162. It creates two distinct images: one very sharp from the axial rays (at f/9 and below) and another soft one from the peripheral rays (at f/4.5 and above)162. Without the spot filter, the lens performs as sharp and crisp as any typical 9cm lens at apertures from f/6.3 to f/25162. Even with the spot filter in place and the lens stopped down below f/9, the spot filter will be captured on film162. All in all, the Leica 9cm f/2.2 Thambar is effectively an anastigmat from f/9 and smaller stops62.

There are several important considerations when using the Leica 9cm f/2.2 Thambar lens63. One key requirement is ample light; Sufficient illumination is crucial for satisfactory results63. When used under proper lighting, prints will have a sparkling quality reminiscent of sunshine. In contrast, dull lighting can lead to disappointing outcomes63.


Construction and Coating

The construction of the Leica 9cm f/2.2 Thambar features a four-element, three-group anastigmat design, including a central cemented pair that resembles a simplified version of the 13.5cm f/4 Hektor lens of 1933162. It is nearly identical to the 125mm f/2.5 Hektor lens for Visoflex introduced in 1949162. The aperture is located behind the cemented pair, and the rangefinder-coupled mount focuses down to 1 meter162.

While no Leica 9cm f/2.2 Thambar lenses were originally factory-coated, Leitz of New York coated more than 100 Leica 9cm f/2.2 Thambar in the late 1940s and early 1950s63. One other source hints that some later production lenses are said to have been coated at the factory, although firsthand accounts of such lenses are rare162. Application of these coatings could enhance contrast but would negate the lens's intended soft focus function162.

The unique effect of the Leica 9cm f/2.2 Thambar lens is achieved by intentionally not fully correcting spherical aberration63. For many years, the common practice was to leave chromatic aberration uncorrected63. However, with the introduction of panchromatic film, the results became less predictable, leading to the decision to utilize spherical aberration63.


Accessories

Accessories for Leica 9cm f/2.2 Thambar include162:

  • Leather Case code-named EQOOT162
  • Short Focusing Mount code-named COOTL62. The Leica 9cm f/2.2 Thambar lens head is removable from the mount63. In 193965, Leitz briefly produced a special short mount (code COOTL41 / catalog number 7012265) for the Leica 9cm f/2.2 Thambar, intended for use on the rotating copying attachment (code OORES) or the sliding focusing copy attachment (code GRBOO) for Leica 25065. These two devices were also described in the catalog from March of 1939 and are equally difficult to obtain today65. Short mount COOTL at a price of 15.00 USD65.
  • Reversing Lens Hood code-named SHADE162
  • E48 Screw in for use without spot A52 Clamp type for use with spot162
  • Spot filter supplied with lens162
  • Early lens cap was code-named ORZHO, while later one was TNOOZ162

Leitz also manufactured special filters for use with the Leica 9cm f/2.2 Thambar lens63. These filters were designed to fit over the central stop and were secured to the lens barrel using a clamping ring and setscrew63. They are quite rare63. The filter is constructed so that a slip-on lens hood can attach to its front63. No. 1 light yellow filter is code-named PEOOZ and is from 193685. If the Leica 9cm f/2.2 Thambar was used without the spot filter, the 48mm screw-in filters for the 200mm f/4.5 Telyt lens were recommended85.


Production Figures

The first three digits of serial numbers of all lenses reported to date only involve the following numbers: 226, 283, 311, 375, 416, 472, 511, and 54063

Notably, no two Leica 9cm f/2.2 Thambar lenses produce exactly the same results63.

Production Figures162

Source

Year

Quantity

 

Source

Year

Serial Number

Quantity

Rogliatti

1935

231

 

H. Schofield, from LEITZ records

1935

226001-226500

500

Rogliatti

1936

790

 

H. Schofield, from LEITZ records

1936

283001-283500

500

Rogliatti

1937

536

 

H. Schofield, from LEITZ records

1936

311001-311500

500

Rogliatti

1938

663

 

H. Schofield, from LEITZ records

1937

375001-375500

500

Rogliatti

1939

403

 

H. Schofield, from LEITZ records

1938

416501-417000

500

Rogliatti

1940

147

 

H. Schofield, from LEITZ records

1939

472001-472500

500

Rogliatti

1941

159

 

H. Schofield, from LEITZ records

1940-1949

540001-540150

150

Rogliatti

1942

20

 





Rogliatti

1943

1

 





Rogliatti

1944

1

 





Rogliatti

1945

0

 





Rogliatti

1946

19

 





Rogliatti

1947

0

 





Rogliatti

1948

4

 





Rogliatti

1949

1

 







9cm f/1.5 Summarex Prototype 


On November 25, 1941, the Leitz works shipped a prototype 9cm f/1.5 Summarex lens with serial number 541058 to Berlin for testing and evaluation116. This prototype, according to the report from September 9, 1939, was developed by Wilhelm Albert in 1939 and had rangefinder coupling364.

9cm f/2 Summicron 


The 9cm f/2 Summicron (code-named SEOOF82/ SOOZI94was introduced in 195731. This lens was the first new product made by Ernst Leitz Canada31 however the early batches were manufactured in Wetzlar360This first version of the 9cm f/2 Summicron228 lens was initially intended for use on Leica IIIf and IIIg cameras31. It had six elements and the double-gauss type228.

The lens was designed in Wetzlar by Dr. Mandler, who utilized the new high refractive index Lanthanum glass in a six-element, two-component configuration119. The lens had a non-rotary mount focusing from infinity to one meter119. F-stops ranged from 2 to 16 in clicks. A reversible lens hood (HMOOD) and special front cap (OQYGO) were supplied with the lens119. 48mm screw-in filters were used119. It is a heavy lens228.

Since this lens was designed for general use, the designers couldn't fully address the wide-open aberrations as much as they would have liked228. Instead, they focused on achieving a balance that delivers high image quality when the lens is stopped down228. As a result, the images had very low contrast and the lens was quite sensitive to flare228.


Variants

  • Variant 1 was designed for screw mount with one removable lens head, featuring a non-rotating, rectilinear mount and click-stop aperture360. It comes in a chrome finish and was supplied with a reversible lens hood and cap360. Initially produced in Wetzlar, the production moved to Midland, Ontario360. The lens head was also available separately360. According to a report from July 27, 1951, this variant was initially developed by Wilhelm Albert in 1951364.
  • Variant 2 was similar to Variant 1 but designed for bayonet mount360. The lens head was also available separately360.
  • Variant 3 was made for screw mount with a detachable lens head; this variant includes a collapsible lens hood integrated into the front part360. Most specimens were produced in Midland, Ontario360. The lens head was also available separately360.
  • Variant 4 was similar to Variant 3, but designed for bayonet mount and finished in black360. Although primarily supplied by special order, this variant was also available in short mounts for use with a Visoflex reflex attachment and/or a preset diaphragm360. The lens head was also available separately360.
  • Variant 5 came with a built-in lens hood and features a slightly different mount from Variant 4, also in black finish360. Similar to Variant 4, this variant was likely supplied only by special order and was available in short mounts for use with a Visoflex reflex attachment and/or a preset diaphragm360. The lens head was also available separately360.
  • Variant 6 was recomputed in 1980 and featured five elements with a substantially reduced size and weight of the mount, finished in black360. The lens head was also available separately360.


Production

The 9cm f/2 Summicron was produced in both Wetzlar and Canada228.

A small production run was made at Wetzlar119. This Wetzlar batch is an enigma119. Factory records indicate that 97 units in the serial number range 1119001-1119097 were shipped to a dealer, Bauer, in Dusseldorf under order number 304309 on March 29, 1967119. 1119xxx has usually been associated with 1954 production units and SOOZI was thought to have been discontinued by 1960119. The Wetzlar lens was supplied with reversible lens hood (HMOOD) engraved: Ernst Leitz GMBH Wetzlar; Summicron f = 9cm 1:2119.

The first of two Midland batches appeared at serial number 1477xxx with a red R marking at f/4 for use with infrared film119. The second batch at serial number 1580xxx eliminated this marking due to variation in the infrared film sensitivity119. The Midland model had a rotating ring engraved with a round indicator dot119. A fixed F stop scale was used119. Screw and bayonet versions were found in both runs with the bayonet serial number occurring toward the upper end of the range119. The bayonet model was merely a screw model provided with a factory bayonet adapter locked in place with a heat-sensitive cement119. A red plastic dot was cemented into a small milled recess on the side of the lens for orientation with the camera bayonet119. Many "pseudo" screw mount 90 Summicrons now in circulation were obtained by removing the adapter and indicator119. The Midland lens was supplied with reversible lens hood (HMOOD) engraved: Summicron f = 9cm 1 :2 and Ernst Leitz Canada Ltd. Midland119. At least 3 versions of the hood exist based on engraving and finish differences119.


Closing Remarks

The screw mount versions, of which fewer than five hundred were produced, were discontinued by 1961360.